The collection started with a trip to Milan. Stark lines, stone textures, and the occasional flash of surreal opulence. Then came The Great Beauty, Paolo Sorrentino’s dreamy, disenchanted Rome – lavish parties, flickering lights, and a kind of beautiful chaos.

Exploring architectural restraint and cinematic indulgence, rooted in 90s minimalism, layered, a little undone.

A key story, Vittoria, started as a vintage furnishing fabric archive once used to upholster an old couch, echoing the mood of Milanese interiors. The Milano Verde, Milano Nero, and Olivia Spliced Geo prints pull from the city’s geometric architecture - tiles, window frames, Milan’s signature offbeat but balanced use of color. 

Notturno is about structure and softness, nostalgia and modernity, restraint and excess. Each piece is designed to feel lived-in yet elevated, cinematic yet grounded.